Skip to content Skip to footer

Beyond the Page – Hammad Nasar on Contemporary Pakistani Art

Jan. 12, 2008 From issue 10 of Naked Punch Review Juliana Cerqueira Leite: Peter Weibel has described the curator as a 'producer' –defined here by the producer’s role in film: commissioning writers, actors and directors to realize an idea. [“A cinema producer says 'I have an idea but I need a scriptwriter, I need a director,…

ByJuliana Cerqueira Leite

Violent Thoughts About Slavoj Zizek

Slavoj Zizek has been telling lies about me. He attacked a recent book of mine, Infinitely Demanding, in the London Review of Books.[1] Since then, things have gone from bad to worse, but I will spare the reader the grisly details. What I would like to do here is to use this debate as a lever for trying…

BySimon Critchley

The Violent State

Whose headless body is this Whose scarlet shroud Whose torn and wounded cloak Whose broken voice? (1) I Meditations on violence The macho encounter between Simon Critchley and Slavoj Zizek over competing ethics of violence staged in the recent Naked Punch Supplement left me with the distinct feeling that violence is too important a matter…

Human Beings and (Other) Animals

Can philosophy make room for animals? Perhaps that is the only question I want to ask in this paper. My worry is that the language of philosophy has kept us in a cage as far as animals are concerned. Philosophy thinks it knows how to keep animals out, and it thinks that if we let…

BySimon Glendinning

LEARN TO LIVE WITHOUT MASTERS.

AN INTERVIEW WITH SLAVOJ zIZEK BY OSCAR GUARDIOLA-RIVERA London, November-December 2007 1. GETTING RID OF THE BIG OTHER. OGR: It seems as if, in the end, your philosophical and political project is to break through the various impasses of extrinsic vs. intrinsic accounts of everything, from cinema to science and politics, without playing to the…

To be or not to be is not the question â€“ On Beckettâ€™s Film

We never know self-realization. We are two abysses – a well staring at the sky. (Fernando Pessoa, The Book of Disquiet) Samuel Beckett wrote just once for the cinema. Film was written in 1963 and first shown publicly in 1965, forty years ago (Beckett 1986, 321-334). Film was shot in New York in 1964, with the opening external shots in Lower…

BySimon Critchley

Janam’s Commitments

On January 4, 1989, Jana Natya Manch (Janam) convened at Jhandapur village, on the outskirts of Delhi, to complete an interrupted play. Three days before, Janam began to perform their play Halla Bol in support of Ramanand Jha's campaign for the Ghaziabad municipal elections. Jha was backed by the Centre for Indian Trade Unions (CITU), the federation…

ByVijay Prashad

INTERVIEWS Uncategorized

Scoundrel times: Paris, Baghdad, Lahore…Interview with TARIQ ALI

Qalandar Bux Memon and Jacopo Moroni in conversation with Tariq Ali: Jacopo Moroni – Mr. Ali, we would like to begin by concentrating on the recent events in the French banlieues. First of all, it seems undeniable that the events are of fundamental importance for the future political and socio-cultural European landscape, forcing us to grasp for a theoretical understanding…

Israel’s Bankrupt Politics

To this historian of empire, the Israeli onslaught on the captive Palestinians of Gaza strikingly recalls the tactics of colonial counterinsurgency, as recent research by Laleh Khalili at SOAS underlines. Attempting to crush nationalist resistance, the British surrounded civilian populations with barbed wire during the Southern African War, 1899-1902. Aiming to destroy Algerian nationalism, the…

ByJohn Chalcraft

THE LAWYERS AND THE OLD GRANITE BLOCK

First Historical Note by way of Prologue 'Those who sow should eat' [Jo kheray so khai] - this was the slogan upon which the radical and revered Sufi poet Shah Inayat set up, in the 18th century, an agrarian commune. Shah Inayat was born in Multan; in youth he affiliated himself with the Qadiriya…

ByQalandar Bux Memon