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Larry the cat

Dave the Rave has all the moves. Verily, is he the Lord of the Dance. Yet no one or their cat noticed the sky turning black upon his return. Only I saw the devil on his back as he leads us towards post-Brexit temptation.  But something is afoot. Mark my words. These tea-guzzling-biscuit-gobbling Fat Cats…

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Non-Alignment as Method

Atreyee Gupta’s Non-Aligned does not simply recover a forgotten Third World modernism; it asks whether modernism itself must be rethought when decolonization, development, and anti-imperial thought are treated as conditions of form. Modernism’s problem was never simply that it excluded the rest of the world. Its deeper violence was that it made Europe’s experience…

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The Museum as Proximity

A note on the Gulgee Museum, and the handbook that refuses to settle Gulgee By Narendra Pachkhédé Art history is where a nation’s cultural life becomes a border regime. It grants entry, issues credentials, seals certain practices with the stamp of “modern,” and files others into quiet nonappearance—present in rooms, absent on the page. The…

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Le Moment de Bascule: Mallet’s Far-Right France and France’s Quiet Threshold

Victor Mallet’s Far-Right France is a field guide to how the RN becomes ordinary: centre exhaustion, party professionalisation, media-driven fear, and grievance turned into destiny. France’s “moment de bascule” is not just French; it is a European threshold with Atlantic consequences, and it helps decode what’s unfolding south of our border, where immigration enforcement in…

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Kamber Chakar: The Revolutionary Who Embraced Death and Achieved Enduring Remembrance

"Even today, in difficult times, the movement’s ability to stand firm owes much to martyrs like Kamber Chakar. Without their ultimate sacrifice, future generations would not inherit such a strong spirit of resistance." —Darapshaan Baloch, former chairman, Baloch Students Organization (Azad), 2024 Kamber Chakar (1987–2011) remains one of the most iconic figures in Balochistan’s struggle…

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