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Trees of Thar
Trees of Thar
All photography by Akash Hamirani Trees and humans are cousins. They are offspring of the same ancestors. They have coexisted since the first day. As time passed, they became more distinct and distant from each other. As the capitalist system commodified nature, trees were also commodified by the system. Now, human beings don’t see the centuries-old…
Non-Alignment as Method
Non-Alignment as Method
Atreyee Gupta’s Non-Aligned does not simply recover a forgotten Third World modernism; it asks whether modernism itself must be rethought when decolonization, development, and anti-imperial thought are treated as conditions of form. Modernism’s problem was never simply that it excluded the rest of the world. Its deeper violence was that it made Europe’s experience…
When the World Waited on a Sentence
When the World Waited on a Sentence
A personal meditation on Trump’s threat of civilizational death, and on what it means when power turns catastrophe into speech. It was one of those evenings when waiting ceased to feel passive and became an ordeal. I felt it first in the body: a recoil, a fatigue, a kind of emotional depletion that seemed…
Satire’s Border: English, Urdu, and Who May Laugh
Satire’s Border: English, Urdu, and Who May Laugh
The state wrote the best epigraph for Mohammed Hanif. A Case of Exploding Mangoes lived happily enough in English for years, mixing offence and admiration. Then it reached Urdu, the national language, the ungated room. Men arrived at the publisher’s office and took the books away. The message did not require a memo. Rebel English…
The Museum as Proximity
The Museum as Proximity
A note on the Gulgee Museum, and the handbook that refuses to settle Gulgee By Narendra Pachkhédé Art history is where a nation’s cultural life becomes a border regime. It grants entry, issues credentials, seals certain practices with the stamp of “modern,” and files others into quiet nonappearance—present in rooms, absent on the page. The…
Le Moment de Bascule: Mallet’s Far-Right France and France’s Quiet Threshold
Le Moment de Bascule: Mallet’s Far-Right France and France’s Quiet Threshold
Victor Mallet’s Far-Right France is a field guide to how the RN becomes ordinary: centre exhaustion, party professionalisation, media-driven fear, and grievance turned into destiny. France’s “moment de bascule” is not just French; it is a European threshold with Atlantic consequences, and it helps decode what’s unfolding south of our border, where immigration enforcement in…
The Ethics of Staying: Béla Tarr and the Cinema of Endurance
The Ethics of Staying: Béla Tarr and the Cinema of Endurance
Béla Tarr’s films transformed slowness into an ethical demand. Refusing narrative relief and political optimism, he made endurance of time, history, and looking the condition of cinema itself. “There is no way out.” —László Krasznahorkai, The Melancholy of Resistance, trans. George Szirtes (New York: New Directions, 1998), passim. There are filmmakers whose deaths feel…
Kamber Chakar: The Revolutionary Who Embraced Death and Achieved Enduring Remembrance
Kamber Chakar: The Revolutionary Who Embraced Death and Achieved Enduring Remembrance
"Even today, in difficult times, the movement’s ability to stand firm owes much to martyrs like Kamber Chakar. Without their ultimate sacrifice, future generations would not inherit such a strong spirit of resistance." —Darapshaan Baloch, former chairman, Baloch Students Organization (Azad), 2024 Kamber Chakar (1987–2011) remains one of the most iconic figures in Balochistan’s struggle…
The Walking Prophet   
The Walking Prophet   
PART TWO In this intimate conversation, Sultan Somjee traces a quiet revolution in how peace is understood and practised, drawing on the philosophy of Utu to challenge bureaucratised reconciliation and recover peace as a relational, embodied act grounded in memory, land, and communal life. READ PART ONE The Path of Peace I asked…