MY POEMS BEAR THE WEIGHT AND SUFFER THE LIMITATIONS OF MY EXPERIENCES
Qalandar Bux Memon: Your poems often evoke death and also aging - which we might say is a movement towards death - it seems the scent of death lingers in your poems. Why. And, then, can I ask, is, for you, live a means…
NOTE FROM A DOOMED CIVILIZATION
The Americans have broken all
Treaties, refused to be part of the World Court
They are their own Carte Blanche
to massacre and destroy, Beyond
All judgment...
vampire face
insect eyes
Smirk
of the Blood Sucker
===
Inside Capital
Inside a White house
A conversation of murderers
Armed with
nervous breakdowns
the…
Be it Victoria brand eye-liner
Or the kohl of the heroine Writambhara
The purest of these were only made by Noor Miyan
Or so my grandmother believed!
She’d always buy some from him.
One thin line of darkness she’d draw
And her eyes would threaten like rain clouds
Rivers would merge in them
Those eyes would flow into oceans
Wherein we children would gaze
And see it all!
My grandmother blessed him and his kohl
It gifted her with youth in old age
And light to pierce needles with thread.
I often wanted to tell her she was Sukanya
And Noor Miyan her Chyawan Rishi
His kohl the elixir of her eyes.
Her eyes were not eyes, but irises.
His kohl, the gift of nourishment.
And Noor Miyan went away to Pakistan!
Why? They say he had no one here.
Who were we? Why did he leave?
Without telling us,
Without letting grandmother know?
Why did he go away to Pakistan?
Now there’s no dark kohl, nor lit eyes.
My grandmother has left for the banks
From where she had arrived.
She’d married and travelled across the river
She’s burnt and has travelled across it again.
And as I scatter her ashes on this river
It flows into her eyes, to meet the ashes
That darken into Noor Miyan’s kohl.
And that’s the last time
I gifted my grandmother’s eyes
With Noor Miyan’s kohl.
This poem is part of Naked Punch Issue 18. To buy the issue click here: http://nakedpunch.com/site/issues/16
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Katrine Bregengaard in discussion with Etienne Balibar- Part 1 of 3.
(Illustration of Etienne Balibar by Zahid Mayo)
(This interview is a revised version of a conversation that took place in November 2014 at Professor Balibar’s office at Columbia University’s French Department.)
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REVIEW OF ZAHID MAYO EXHIBITION AT SANAT GALLERY, KARACHI.
(to view images: click here)
I see Zahid Mayo as an artist of the subaltern. He is not their spokesperson but he senses them and is able to register that sense on canvas. This is his, almost unique, success among contemporary artists.
I recall in my first visit to Zahid's studio about four…