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Non-Alignment as Method

Atreyee Gupta’s Non-Aligned does not simply recover a forgotten Third World modernism; it asks whether modernism itself must be rethought when decolonization, development, and anti-imperial thought are treated as conditions of form. Modernism’s problem was never simply that it excluded the rest of the world. Its deeper violence was that it made Europe’s experience…

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Le Moment de Bascule: Mallet’s Far-Right France and France’s Quiet Threshold

Victor Mallet’s Far-Right France is a field guide to how the RN becomes ordinary: centre exhaustion, party professionalisation, media-driven fear, and grievance turned into destiny. France’s “moment de bascule” is not just French; it is a European threshold with Atlantic consequences, and it helps decode what’s unfolding south of our border, where immigration enforcement in…

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Fever as Method: On Tribulation 99 and the Venezuelan Kidnapping

From Cold War montage to contemporary capture, on the persistence of imperial form. Why intervention no longer argues its case, but edits it. “Nothing is lost if one has the courage to proclaim that all is lost and we must begin again.” — Julio Cortázar. Around the Day in Eighty Worlds.                          Translated by Thomas Christensen.…

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The Ethics of Staying: Béla Tarr and the Cinema of Endurance

Béla Tarr’s films transformed slowness into an ethical demand. Refusing narrative relief and political optimism, he made endurance of time, history, and looking the condition of cinema itself. “There is no way out.” —László Krasznahorkai, The Melancholy of Resistance, trans. George Szirtes (New York: New Directions, 1998), passim. There are filmmakers whose deaths feel…

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