Béla Tarr’s films transformed slowness into an ethical demand. Refusing narrative relief and political optimism, he made endurance of time, history, and looking the condition of cinema itself.
“There is no way out.”
—László Krasznahorkai, The Melancholy of Resistance, trans. George Szirtes (New York: New Directions, 1998), passim.
There are filmmakers whose deaths feel…