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A Crooked House in Paris

From Rahbani’s aphorism to Mouawad’s absurd wedding, Lebanon’s stage insists on today when tomorrow never comes. “There are two silences. One when no word is spoken. The other when perhaps a torrent of language is being employed. This speech is speaking of a language locked beneath it. That is its continual reference. The speech we…

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Reading Fanon in Pakistan

    I do not have an extensive library but I students who visit my home from Balochistan, Gilgit-Baltistan or from FATA. Young intellectuals from these areas have long been enticing me to hand over the original books of Fanon. There are three reasons that Fanon speaks to me (as a Sindhi) and to young students from…

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Sholay at Fifty: A Cinema Of Enchantment

Sholay at Fifty: A Cinema Of Enchantment To understand why Sholay (1975) endures after fifty years, one must recall the late Jesuit scholar Father Gaston Roberge's pivotal insight that Indian cinema is best understood as anthropological.  In The Theory of Indian Cinema (1985), Roberge emphasised that Indian films should not be judged merely by…

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At the Gates of Democracy: A study of “Indian Philosophy, Indian Revolution: On Caste and Politics”

Divya Dwivedi and Shaj Mohan, Indian Philosophy, Indian Revolution: On Caste and Politics, Edited, introduced, and annotated by Maël Montévil, (Hurst Publishers, UK; Oxford University Press, USA), 2024.  In Indian Philosophy, Indian Revolution: On Caste and Politics, (hereon IPIR) Divya Dwivedi and Shaj Mohan offer a meticulously reasoned and deeply disconcerting reassessment of India's socio-political…

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