Exclusion & the Biopolitical Moment: Reflections on the evictions of refuge...
The evictions of Athens squats in the Exarchia neighborhood of the city were expected once the elected New Democracy center-right party, were voted into office with a 39.85% wi...
On War, Photopolitics, White Public-Space and the Body: A Conversation with...
AA: I was thinking about the new modalities of warfare; it is no longer a war between two countries, there’s no warfront. I was just reading some statement from a US Milita...
Didactics of Art Dictators: Notes on the Art Criticism of Quddus Mirza on t...
Apropos of the article ‘Of guns and roses’ by Quddus Mirza published in The News on Sunday (September 3, 2017). The article was a review of paintings of Imran Hunzai exhibited unde...
Indigenizing International Law from an Inverse Legal Anthropology
Considering the philosophical, political, and artistic concerns that Naked Punch have been introducing over the years in order to unveil the plurality of philosophical languages that populat...
Zahid Mayo: The Painter of the Subaltern.
REVIEW OF ZAHID MAYO EXHIBITION AT SANAT GALLERY, KARACHI. (to view images: click here) I see Zahid Mayo as an artist of the subaltern....
Toward a Better Society: An Interview with Noam Chomsky
Interview conducted by David Barsamian on 11th March 2016 “Socialism” was the most looked-up word in 2015, and several polls indicate young people in the 18-to-29 bracket,...